I may not hand stitch, or knit, or crochet… but I can use an Exacto in front of the TV!
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I may not hand stitch, or knit, or crochet… but I can use an Exacto in front of the TV!
There are two new-ish sets of photos up: some cool ice dyeing tshirts and playing in shaving cream with my Mom.
Honestly, I may be the worst possible candidate for writing a book review. Lets be real, here- the first things that typically come to my mind when I pick up a book are ‘yum’ and ‘ooh, how pretty’. Then I rub the paper against my cheek. And that’s just for the code monkey books!
That said, it is both an honor and a treat to present you with Volume 2 of Masters: Art Quilts from Lark Crafts. This is a collection of amazing fiber artwork curated by Martha Sielman, the Executive Director of SAQA.
Lets get the easy stuff out of the way first: Lovely! As expected, since I already own Volume 1, the word yummy doesn’t even begin to do it justice. Granted, it would be tough to make an ugly book out of such beautiful art. I was a little bummed to see a few of the ‘detail’ shots that are barely tighter images than the overall shot, though. On a completely picayune note, I both love and hate the little bitty pictures of the artists. I want to avoid using a magnifying glass, but I don’t want to give up the real estate.
Martha Sielman curates like my friend Chris L. cooks. You know the menu will knock your socks off before you even see the invitation. You can smell pure joy long before you are within sight of the kitchen. And when you finally have that fork ready to launch, you are never disappointed. But it isn’t over seasoned! Martha writes just enough of a tease that you think you’ll be spending the rest of your life browsing these artists’ websites. Photography, even amazing photography, cannot always give fiber art its due – I know you’ve been there with me on this one. The best we can do in its stead is hope for a curator who knows how to explain the luscious nature of the textures and the I-just-want-to-touch-it fantasies we’ve all had when those white gloved angels aren’t around.
The next happy moment comes in getting ten pages per artist. How many art books do you have that allow you to wallow around in that much of an artist’s portfolio? The breadth of style and school is perfect. Like its predecessor, this volume is not something you will tire of browsing anytime soon. Oh, and don’t forget to ‘ooh’ and ‘ah’ over the paper!
I have made the ultimate dyer’s faux pas. I fell in love with an “internet special” color mix. I know, I know. It was ProChem’s Spiced Pear. It was something I bought in the early days of my dye addiction when I just wanted to play. Isn’t that always the way…
The picture shows (starting lower left) chartreuse, spiced pear, olive, and avocado. It’s tough to tell, of course. I hate thinking about it, and my head swims just trying to evaluate it…. ugh. I can’t tell you how much I love this color. And when you let it separate… amazing. It goes great with everything I love to use- golden pineapple, any kind of dark brownish red/wine tone, just about any blue (ok, not robin’s egg) and any purple- and with my other big standard, butterscotch- soooo yummy with browns.
Actually, maybe I’ll start with a blend of sage and golden pineapple.
Anyhoo– what a bummer. I guess I’ll just have to play!